Showing posts with label tannerglass. Show all posts
Showing posts with label tannerglass. Show all posts
2/28/2011
The tools. The table. The island. (Final post in our series on the roots of design)
Today, in our final post in the roots of design series, tannerglass shares her inspiring story about glassblowing. Thank you!! The photo above, and all photos that follow, are from tannerglass.
"Eight years ago, I spent a week in Venice......Tanner Glass was just over a year old, and I was trying to find my place in the Glass world. I knew Venice would provide so much inspiration, but I had no idea how much. There were two places on the island of Murano that I could not miss visiting on this trip.
This is the story of the first place.....the home of Dino Tedeschi.
Dino made glass tools......the best glass tools (in my opinion). To buy them, you had to know someone who knew someone who knew Dino. Or you had to knock on his door. I chose the latter option.
Armed with only a sketchbook, and a map (similar to the one pictured) I set out to find him. A daunting task.....as I don't speak Italian, and using a Murano map is about as effective as directions on finding a needle in a haystack.
Based on an address scribbled in my sketchbook, I managed to arrive at the doorstep of a toolmaker, named Dino. Wrong Dino. Through broken English and Italian, he directed me elsewhere.
Those directions landed me on the doorstep of a toolmaker, named Carlo Donna. Not Dino. But, I was getting closer. Carlo Donna was a leading toolmaker, spoke decent English, and knew Dino personally. I explained that I wanted to purchase some Dino jacks (his signature tool), and asked if he could help me.
He called Dino, told him what I was looking for, and gave me explicit directions to his doorstep.
I thanked him profusely, purchased a super sweet set of tweezers, and headed out to find Dino.
(as an aside, Dino speaks about 4 words of English, and I speak about 8 words of Italian. "Andiamo a sciare".......let's go skiing. Not terribly helpful in this situation).
I arrived at another doorstep, rang the bell, and the door was answered by a woman (Dino's wife). She is about 65 years old, little, and speaks no English. She invites me into their kitchen, sits me down at their table, and offers me some tea (I only know this because I said "si", and tea is what I was given).
Dino appears in the doorway, "ciao" is said all around, and he sits next to me and places 3 sets of Jacks on the table.
I picked out the ones I wanted. There was not a lot of talk, but there was a lot of smiling and nodding going on. It is amazing how well you can communicate without speaking. I managed to understand how much they cost......paid him, and was ready to say thank you, and good-bye, fully content with my purchase, and my experience thus far.
Not so fast.
He sits me back down, and places a small, red journal in front of me....and a pen.
*my heart is racing as I tell this part*
I open it, and quickly notice that this is a list of all the people that have sat right where I was sitting. Heavy hitters in the Glass world, from all over the world......had all sat at the same kitchen table, and purchased their Dino jacks. Some shared stories, some shared photos. It was amazing. Artists like Dante Marioni, Sonja Blumdahl, Lino Tagliopietra, and countless others. I was speechless.
And he wanted ME to sign that book? Um, okay.
I wish I could remember what I wrote (aside from my name and state). Regardless, the fact that I became part of that history is something that will stay with me forever.
I left the Tedeschi home, walked around the block, found a bench, sat down, and cried a little, as I was overwhelmed by what had just happenned.
I signed "the book."
It was at that moment, that I knew I was a glassblower.
(My Dino Jacks).
Sadly, Dino passed away a few years later. And his tools have become highly sought after.....
10/03/2010
8/23/2010
Tuesday tools of trade
This week we are jumping back on the jumbo and headed back to the US to meet up with Suzanne of tannerglass in Cranston, Rhode Island. Suzanne makes unique handblown and handsculpted solid glass creations and we're about to find out about the tools she uses.

You know the old adage "you need the right tool for the job"? Well, the same is true for Glassblowing. I have 3 Tweezers (various sizes), 3 Jacks (various sizes and shapes) and 2 Shears. Essentially, they all do the same thing, but some are better for particular pieces. It just takes time, and experience to understand which tool is right for the job.
Glory hole
open furnace

Would you take us through the tools that you use in your creative process?
All the tools I use are specific to Glassblowing (in other words, I can't go to the Hardware store when I need a new tool). There are 4 basic hand tools that can be found in any Glass Studio. Tweezers, straight shears, diamond shears, and Jacks. These are hand formed from steel, and are durable enough to withstand continual use with molten glass.

You know the old adage "you need the right tool for the job"? Well, the same is true for Glassblowing. I have 3 Tweezers (various sizes), 3 Jacks (various sizes and shapes) and 2 Shears. Essentially, they all do the same thing, but some are better for particular pieces. It just takes time, and experience to understand which tool is right for the job.
Can you give us some sort of indication on the monetary outlay you've had in setting yourself up with the equipment that you have?
Well, they're expensive! But the good news is they will last a long, long, time if treated properly. My Jacks (I have 3) range from $200-$400. They were all worth the investment, especially my Dino's.
I travelled to Venice to purchase them from the maker himself 10 years ago. I wrote a nice blog entry about the experience. I bought my first pair of Jacks, tweezers, and shears over 11 years ago and I continue to use them regularly.
Maintenance of your tools must be ongoing. Is special care and/or cleaning required to keep them in optimal working order?
Glass tools are designed to withstand harsh conditions. Glass is about 2000 degrees when we work with it, so our tools have to be able to handle that type of heat. Our Jacks have to be waxed regularly, so they will work smoothly, and won't stick, or scratch the glass. We use a block of beeswax. A special perk about using the beeswax is the sweet, aroma that it creates around the work area. Other than that, maintenance is pretty minimal (thankfully!!). A green scrub pad goes a long way, and I generally only do this once or twice a year.
What sort of safety equipment is necessary when using your specialty tools? I always think a glass blower needs to be wearing big thick padded gloves ....
Glassblowing is as dangerous as you make it. Yes, it's hot, and I have been burned, and I have been cut. So, safety glasses are a necessity (and an aloe plant nearby is a good thing, too). I get by with some basic sunglasses with UV protection. When our equipment is running at full temperature, it can feel like you're staring at the sun, so eye protection is imperative.
Glory hole
open furnaceOur hand tools get hot, too. Very hot, as a matter of fact. But as long as you KNOW they're hot, you're less likely to touch them when you shouldn't. Other than that, we don't do too much in the way of safety. Contrary to popular belief, we don't need gloves.

If you could own any kind of tools that aren't related to your own craft what would they be?
I would love a wood shop. A nice, big wood shop!

tags
AGTeam,
glassblowing,
handmade,
Sigmosaics,
tannerglass,
Tuesday tools
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