Showing posts with label inspiration. Show all posts
Showing posts with label inspiration. Show all posts

2/13/2012

Looking for Inspiration

Trio of Paint Brushes
  Some nights I can't get to sleep because I'm bursting with ideas and can't wait until morning to get started working on them. I lie in bed for a couple of hours before giving up, wrapping a blanket around my shoulders, and heading back to my desk to start drawing, painting, or writing. I live for those days when ideas are flowing so freely I can't even keep up.

And then there are the other kind of days...

The days where I can barely pull myself out of a funk, can't think of anything that sounds even remotely creative, and can't even find joy in flipping through things that usually inspire me. I can feel it coming on like a storm...the mind gets more cloudy, stupid songs get caught in my head, I watch more mindless TV...and then it hits: the artist's mental block. It descends like an iron curtain and won't let go it's relentless hold.

Fortunately, those days are few and far between. But when they do come, it seems as though they'll never end. Finding inspiration can be a rough thing even on good days. Having the wrong conversation or listening to music that doesn't fit your mood can throw things out of kilter faster than you'd ever expect. Fighting back is the ultimate struggle for any artist. For me, it usually means giving in for a day and letting myself get out and away from what only recently was so inspiring, but now feels stale and old. I go on walks, read books, visit with people, and generally stop looking for inspiration. Once I stop looking, it's like it's suddenly there!

What do you do to find inspiration when you find yourself in a rut?

by Sarah-Lambert Cook 



Related:
Donauluft: Looking for Inspiration

OneClayBead: Urban Rustic Dinnerware

1/18/2012

Everyday Handmade: Mini Retreat Kit

I hope you're having a peaceful and joy-filled week! For me this has been a week of introspection, and so I thought this installment of Everyday Handmade would be the perfect opportunity to create a mini retreat kit of sorts. Here are some lovely handmade items to get you started on an afternoon or evening of peace and deep thought.

First, draw a nice hot bath and luxuriate in the quiet with this Handmade Soap Gift Basket from Sweet Sally's Soaps. Find it here.



Then cozy up in this beautiful Big Olive Green Cardigan from Love and Knit. Find it here.



Then get in touch with your mystical side by wearing this Purple Pink Gold Agate Necklace from Sumikoshop. Find it here.



And settle in with this gorgeous handmade Black Bird Feather Journal from Three Trees Bindery. Find it here.



And contemplate your wild life, inspired by this photograph "The Dream Gatherer" by My Antarctica. Find it here.



I hope you enjoyed this collection and will use it as an excuse to take some time out and relax! Here's some wisdom from one of my favorite poets to get you started:

"You do not have to be good.

You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves."

-from Wild Geese by Mary Oliver

8/31/2011

Everyday Handmade: Happy Messages

Hello! I'm back with a new installment of Everyday Handmade! I love a happy inspirational message---a few feel good words sprinkled around your life can give you just the lift you need at just the right time. This week I rounded up a collection of happy feel-good handmade items by the lovely Artisans Gallery Teamers. I hope they inspire you and add a little smile to your day!



Wouldn't this "Bloom Little House Village" by The Little Red Door brighten up your windowsill or desk? I think we could all use a little more blooming in our lives. Find it here.



There's nothing greater than receiving a little inspiring message from a friend, and this "Just a Little Flower" Set of 6 Note Cards by Olive and Ruby is a beautiful example. Below the flower reads a quote by Hans Christian Anderson: " Just living is not enough said the butterfly. One must have sunshine, freedom, and a little flower." That is a message I would love to send or receive in the mail! Find them here.



How could your day not be brighter if you start it with this "Good Day Sunshine To Go Cup Cozy" by KnitStorm. This is nothing but sweetness (and it gets The Beatles playing in my head)---and wouldn't it make a great gift!? Find it here.



And last but not least, with this "Star of Hope Totebag" by Bucktoothed Bunny every time you leave the house you can inspire yourself and everyone else you see---the star is made up of the word "hope" in all different languages of the world. Find it here.

Thanks lovely AG Teamers for making such inspired beautiful things! I hope you have a wonder-filled day!

6/04/2011

Inspiration or Copy: Where is the Line?

If you see someone's work, and you’d like to make an exact duplicate of it for sale, describing and listing it exactly the same way, is that good business instinct, following a popular trend and therefore fair game, or a compliment to the artisan who made the original? Emphatically, no. It is intellectual property theft. That’s right, theft.

The person you are mimicking is a business person as well as a creator. They intend to make a profit from their own designs, as they should. As you should not. After all, if you admired someone’s taste, and broke into their house to steal their stuff, would you expect them to be flattered? Praise your business acumen? I think not!

Being a copycat derives from one of 2 things (and sometimes both):

1) a malicious intention to make a profit with unethical practices

2) entering a marketplace as a seller without having spent the time to develop a body of work of your own

To recap, it is never “inspiration” to look at someone’s work and decide to do one like it, even if you add very minor tweaks.

MerrittHyde and I see the world through a similar lens, and it shows in our work. She recently said that she admired this piece of mine:

Here is Merrit’s current work:

We already have 2 similar elements, the wood body (even though mine is faux bois), and the leaves.  While looking at my piece, she envisioned using her metal leaves as a canopy, similar to mine. This is inspiration. Merritt is mentally progressing something in her own body of work. Her new piece will have elements similar to mine, but it will not be a copy.

Have you had your work copied? How does it feel?

Are you ever tempted to copy a top selling Etsy artisan? What stops you?

Do you make something similar to another artisan? What do you do to avoid copying?

editorial by Lee Wolfe

2/14/2011

handmade: a family tradition to pass down (part 9 in our series on inspiration)


The seeds of creativity seem to be planted often, and early, in people who go on to spend large chunks of their life working with their hands and engaged in artisanal work.  Perhaps part of the reason is that what we see as children - what we witness (especially in our parents and primary caregivers) - carries so much weight.


Today, in part 9 of our series on the roots of design, Arnelle from the organic clothing shop PurePixie shares part of her inspiration story. (Photo above, and all those that follow, are from PurePixie).


"As far as I remember I always loved to make things with my hands. At school my favorite classes were drawing and crafts. 
 


Both my parents and grand-parents were very crafty and making things was part of their every day life. When my grandma (a former seamstress) became blind, she was still able to do a lot of sewing just by "looking" with her fingers."

 
In Arnelle's words: "After she retired, my other grandma was knitting and crocheting all kinds of sweaters for us and my mom was sewing all our clothing. They both taught me as a child how to sew, knit and crochet and as a teen I started sewing my own clothing. I remember how my Mom could alter a basic pattern and sew almost anything trendy out of it. My dad was working mostly with (ferrous) metals - for the most part repurposed. I remember that once for my birthday he made a small wardrobe with handmade hangers to store my doll's clothing. The basement of my parent's house is still packed with perfectly sorted pieces of metal that he may need some day. I also remember spending hours reading my dad's children magazines from the late 40's early 50's. Their graphics are still a great source of inspiration."


  "Then I went to college and I was so busy studying and working as a tutor to pay my rent that I forgot all about creativity. It is only when I got the opportunity to do some graphic design as part of one of my jobs that I realized how much I was missing it."


"When my husband and I moved to the US in September 2001, I was without a work visa so could not look for a job and I started to create for good. First I made jewelry and even graduated as a jeweler. My favorite domain was forging. It is so amazing to see how a flat sheet of metal can move and become almost alive and take all kinds of organic shapes when forged. When I had my first child I started to make clothing for him and I still do it now that I have two kids. Their favorite pieces of clothing are all home- and hand - made (and organic or upcycled). My youngest one loves to say proudly: "c'est maman qui a fait!"(Mom made it!)


I learned from my family all the basics and when I was ready to start I was able to immediately jump in. I learned also from them that sometimes you have to try over and over again until you get it right. It can be very frustrating but once you figured it out this is all that matters. Hopefully I'll be able to pass this onto my kids."

2/10/2011

my studio, my wonderland


The places where we create are so personal, so interesting... and so important to our art. Anna Hansen once said, "Without the studio, however humble, the room where the imagination can enter cannot exist."

Today we get to peek in another artisan's studio, that of fashion designer Mine from LoveandKnit.




Based in Istanbul, her shop is brimming full of handmade clothing and accessories. Thank you, Mine, for this behind-the-scenes look at where you work, and the things you surround yourself as you create.


In Mine's own words: "My studio is my wonderland. I love it so much because that's where I keep all the things I love. It's like a dream place for me, surrounded by beautiful laces, colorful beads, fabrics, yarns, all the materials for creating."


"I also keep toys from my childhood in my studio, my sister's oil paintings and the treasures which I found in stores and fell in love with. Creating is a huge part of my love and I'm so very happy in my studio."

2/07/2011

Developing a taste for craft work (part 8 in our series)



As children, we are exposed to so many styles, hobbies and creative pursuits. I remember well feeling rather uncomfortable in ballet class but loving baseball, enjoying cooking but having zero interest (at the time) in my mother's sewing... and falling in love with pottery. What sticks? How does it stick? For Isabel, the French fashion designer behind isabelamyo, her own creative inspiration is something she will never forget. For her, she says, it developed over time.

Thank you, Isabel, for sharing your story with us in this, the 8th part of our series on the roots of design.

"Of course my mother sewed me clothing that I thought was "more or less successful" I confess, but I learned I wanted to make myself my clothes following my own desires. It was at that moment that I realized that I loved doing things with my hands."





Isabel's story continues. "It isn't very original, but I soon dressed all of my friends who came to see me. And in my bedroom with my sew machine and my my fabrics, my threads and my needles we worked together on the realization of some idea of clothing. It was great... there was always excitement that led us up to the culmination of a creation."

(photo above, and all that follow, from isabelamyo)




 "There was also my sister's dolls that I dressed as well. I loved turning a shapeless cloth into something built by practice. And one day I learned I had a neighbor who taught a lot of handwork to children. I went to see her she gives me some tips to improve, and I thank her again because I really improved my technique with this kind neighbor."


"I think that's what gave me the taste of craft work, work done with care, generosity and quality, thanks to the techniques I learned in my youth. They still serve me today."

1/31/2011

The drive to create... no matter what (part 6 in a series)


In part 6 of our ongoing series on the roots of design, the artist behind OneClayBead, Lee, discusses her drive to create... no matter what.  

Such a powerful part of being an artist! Picasso once said that, for him, painting was "just another way of keeping a diary." This shows how natural creating and artistry can be for many people. Thank you, Lee, for sharing your inspiration!


 (handmade pottery pieces shown above + below by Lee of OneClayBead)


According to Lee, "the urge to create has been with me as an internal drive from my earliest memories. I drew on everything, and with everything. My mother bought me art supplies when I was a toddler to stop me from drawing on the walls with her make-up. I was given Play Dough to discourage me from molding all the food on my plate into landscapes and animal faces.  My parents are both business people with few creative urges of their own, and have never, to this day, understood what it is that I do, or why."



"I was gifted by them with permission to be creative without judgment. Consequently, art feels very much a part of who I am rather than like something I was taught or shown.  As an art major in college, I found structured assignments tedious and had a lot of self doubt about my abilities for the first time."

 "Towards the end of sophomore year, I finally learned to use the structure and parameters of an assignment and infuse it with the wild  inner passion to create. Learning to channel my natural artistic instincts into a given project is probably what has allowed me to make a full time living as a studio artisan. But what has allowed me to enjoy my studio life, and to progress as an artisan, was the early formative experience of being given supplies and tolerance without too much rigid and formal education."





"Experience has shown me that art is a predilection or predisposition that some are born with more than others. While we all have creativity that we can tap into and enjoy, studies show that only 10%  of a population in any given culture have a very strong drive towards artistic expression. These people are going to create no matter what. I've seen those kids when I taught afterschool art in an elementary school. My daughter is one as well! When you bring out the supplies, a few kids will start to assemble something or experiment on their own accord, while the main group waits for instruction. As an art educator, I used to hear the words from Pink Floyd echoing in my head, 'Hey! Teacher! Leave those kids alone!' Because creativity isn't about what you make. it's about who you are being in the moment."

1/27/2011

like a kid in a candy store - childhood art inspiration (part 5 in a series)


In part 5 of our series on the roots of design + creative inspiration, we take a closer look at how childhood art experiences can help to shape one's artistic path much later in life.

(photo, above, of a miniature clay candy cupboard, and all photos that follow are from PetitPlat)
Today, Petit Plat's Stéphanie shares some of her creative inspirations as a child and her sheer joy at exploring different media around her. Thank you so much for uncovering some of the background to your beautiful miniature art.

Stéphanie loved "drawing houses as a kid and in the roof I always imagined a tiny private play park, with a swimming pool and many stairs which took you to different thematic rooms.
So the roof was a bulky potato on top of a normal house. Way cool."
"I used to make miniature food out of clay for my Barbie dolls. I could spent hours redoing all of the plastic toys I got from Barbie (I only had all pink turkey, all pink cakes and all pink bottles).
"I used to love making tiny crocodiles and jewelry with glass beads. I still have a massive collection of those tiny glass beads in all colors. Then, at the age of 16 I asked for an easel and oil painting and started a painting class. I went there once a week all by myself. The class was for adults and I was the youngest there. It was awesome. I learned how to use a paintbrush properly during that class."
"Creating has always been one of my main interests. I never played with Barbies, rather did something for them, or decorated the house, or made furniture. I also did learn to knit a bit and I tried my hand at calligraphy. The fact that I have no siblings may have helped, because I had to keep myself occupied alone most of the time. I'm still shivering with joy when entering a craft store. Although I already have about everything you can buy in craft stores at home."

1/24/2011

art & patience (part 4 in a series on the roots of design)



A few weeks ago, we began this series by asking artisans about the seeds of their inspiration and the roots of their design.

(photo above, of Monica's rustic silver heart necklace - all photos that follow are from moonovermaize as well)

In part 4 of the series, Monica from moonovermaize shares beautiful insight into her own creative path. And the patience required to find her way. I love this quote about patience by Edward Bulwer-Lytton: "Patience is not passive; on the contrary, it is active; it is concentrated strength." Indeed.



"For me, it was not a specific moment, but a conglomeration of artistic attempts gone wrong. I was always trying out different forms of art growing up from drawing to painting to sculpting to making mosaics and sewing. Seeing as my Mom is an incredible seamstress I thought it would come naturally....I was so wrong on that one!"

Monica is pretty sure she "tried nearly every art/craft under the sun and I was always left a bit disappointed as the final product never came out as I had envisioned it. It has never stopped me from searching though and then I tried out some metalsmith techniques about a year ago and I had finally found what I'd been searching for!"


"It felt right. My hands could manipulate the tools and supplies to form exactly what was in my mind. Now that I've found what I love it is a matter a perfecting techniques and allowing myself to grow in this line of work. Seeing as it took some patience to get to this point I believe it has also taught me patience in my art of metal work."

1/20/2011

first creative memories (part 3 in a series)



Thank you so much for sending in all of these beautiful stories and ancedotes of early artistic inspiration. This series will now go live with a new artist every Monday, and every Thursday.

(photo above, watercolor print by silverridgestudio - and all the photos that follow are from Cate as well)

You can see the first posts here:

the seeds of creativity with Linda from PaperPhine
roots of design with Daria from LaLaShoes

Today, we are treated to some of the first creative memories of Cate, the artist behind silverridgestudio, whose work was recently featured in Lucky Magazine. She says her current inspiration "comes from many places. Ealing Studios, French and Italian Cinema, along with music, theatre and dance." Thank you, Cate, for sharing with us what some of your earliest creative sparks were.



"My first memory of drawing was at my Grandparents. I was fascinated with an architecture book that belonged to my Granddad.  I spent most weekends staying with them so  I used to copy pictures of windows and doors for hours out of that book."



Here are some photos from Cate's busy studio, which is in the garden area of her L.A. home.

1/17/2011

roots of design



Today is part 2 of our ongoing "inspiration" series on this blog. A series where we look at what influenced artisans among us to become what we are today, what helped inspire us along our path of creativity.

(photo, above - all and all photos below - from LaLashoes here

Daria, the artisan and industrial designer behind LaLaShoes, offers us a beautiful glimpse into what helped to shape her way of thinking and her approach to design and creativity. Thank you, Daria, for taking the time to share such a moving series of memories and insights with us.  Your post really made me think and consider the contributions of those close to me. I'm sure it will do the same for many of our readers.

In Daria's own words:
"From my father and my maternal grandmother I learned the most valuable lesson regarding my creative life - 'What you want but can't have or afford, you can make yourself! And it's much more fun doing it yourself too!'"



"Actually, they never told me that directly, but I learned that from both of them when I was very young. My grandmother was always making clothes and dolls for us. I enjoyed spending time with her and learning to sew and knit. I also enjoyed all the stories she told me about how she made trendy woolen coats for my mother and her friends out of woolen blankets, and nobody ever found out (early '50 poverty!), and also all her dancing dresses and everyday clothes. Among other things, I learned to make doll dresses out of scraps or used garments, and to re-use the wool from sweaters I outgrew."

"My father was always making things. He used to do wonderful sketches every evening for all the things he wanted to make, solving the technical problems, dimensions, everything. There was always a big pile of books on his side of the living room table - mechanics, physics, the Technical Encyclopaedia volumes, books on architecture, Neufert's Ergonomics (that I eventually used myself at university)...



...He spent most of his free time in his workshop in the attic, making stuff out of anything - he would reuse all kinds of pipes, wooden pieces, tin metal sheets… you name it. There was basically nothing he would thought of that he couldn't make. He liked to make his own improved versions of tools too, or design tools that he needed but didn't exist yet."



From him - from my father - I learned to solve things logically, applying math and physics, searching for answers in books, to think through sketches, to recycle and reuse any kind of material to make what I wanted.

I don't remember him ever making a toy for me, but I think that's because he knew I was able to make my own - I was always hanging around in his workshop and asking for tools. My father would always answer my questions about how to make something better, or lead me through some basic technical problems, usually challenging me to make even better versions of my own designs. I learned a lot just watching him working. Dad also learned to sew as a child; I got my first sewing machine from him as a gift.



My dad made our house - from a blueprint, through a scaled model we still keep as memory, all the way up to the roof. He made also a special crane from an old ship motor engine to help him get the materials high, as the house was growing. If you can learn to design and make a house, the sky is the limit, right?




From all that, I really learned that there is nothing you can't do if you apply yourself, if you're willing to learn a lot and if you're creative. That's something I consider invaluable. Thank you nonna and dad for this wonderful gift!